The Aljafería Palace (Arabic:قصر الجعفرية Qasr Aljafariya, Spanish: Palacio de la Aljafería) is a fortified medieval Islamic palace built during the second half of the 11th century in the Moorish taifa of Zaragoza of Al-Andalus, present day Zaragoza,Spain. It was the residence of the Banu Hud dynasty during the era of Abu Jaffar Al-Muqtadir after abolishing Banu Tujibi of Kindah dynasty. the palace reflects the splendor attained by the kingdom of the taifa of Zaragoza at the height of its grandeur. The palace currently contains the Cortes (regional parliament) of the autonomous community of Aragon. The structure holds unique importance in that it is the only conserved testimony of a large building of Spanish Islamic architecture of the era of the Taifas (independent kingdoms).
The oldest construction of the Aljaferia is called Troubadour Tower. The tower received this name from Antonio Garcia Gutierrez’s 1836 romantic drama The Troubadour. The drama was converted into a libretto for Giuseppe Verdi’s opera Il trovatore in 1853. The tower is a defensive structure, with a quadrangular base and five levels which date back to the end of the 9th century AD, in the period governed by the first Banu Tujibi, Muhammad Alanqur, who was named for Muhammad I of Córdoba,independent Emir of Cordoba. According to Cabañero Subiza (1998) the Tower was built in the second half of the 10th century. In its lower part, the tower contains vestiges of the beginning of the heavy walls of alabaster ashlar bond masonry, and continues upwards with plank lining of simple plaster and lime concrete, which is a thinner substance for reaching greater heights. The exterior does not reflect the division of the five internal floors and appears as an enormous prism, broken by narrow embrasures. Access to the interior was gained through a small door at such height that it was only possible to enter by means of a portable ladder. Its initial function was, by all indications, military.
The first level conserves the building structure of the 9th century and shelters two separated naves and six sections, which are separated by means of two cruciform pillars and divided by lowered horseshoe arcs. In spite of its simplicity, they form a balanced space and could be used as baths.
The second floor repeats the same spatial scheme as the previous floor, and the remains of Muslim brick-work from the 11th century can be seen in the brick façades, which indicates that the second floor was possibly reconstructed at the same time as the palace during the epoch of Al-Muqtadir.
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